Writing has always been my greatest form of communication and creative asset. In college I utilized written and spoken word poetry as a source of therapy, and later as a news writer and playwright, it has been the vehicle through which I shares the truth  –  mine and others. While I’ve navigated many paths and discovered various skills; writing reflects my most authentic self. Whether through poetry, plays, or news stories,  I write to create things, worlds, and opportunities that are engaging, inclusive, and future-forward. As a storyteller I look to craft, tell and share the uncomfortable, complex and impactful stories, with each providing a unique perspective. I have found the need to create more complex stories about and for Black women tapping into those untold and taboo narratives that exist as well, in order to share them with an even wider audience.

I aspire to write about the magic and beauty in the seemingly mundane, everyday experiences; specifically, with regard to the lives of Black women. I’m passionate about using this vehicle to influence, inspire and impact culture; to move the audience to a space of empathy and hopefully to actually care about the “other”.

When taking on the mantle of writer or griot, (via cultural assignment) the onus, I believe, is to simplify yet push the form; to dream up an intricate cast of protagonists who compel, question, poke fun, and stir things within all of us to do better for ourselves and in turn to do better for humanity. 

Seshat Yon’shea Walker is a certified country gurl raised on the Eastern shore. She’s also a writer, multidisciplinary creative, and founder. 

Seshat’s plays and productions have been presented by New Perspectives Theatre, Detroit Hip Hop Theatre Festival, Capital Fringe Festival and DC Arts Center. Readings of her work have been presented by AMT Theatre, NYC, Theatre Alliance, DC, Dramatic Question Theatre’s Digital Stage, Pop Conference NYC, Kennedy Center Millennium Stage, Kennedy Center Local Theatre Festival, Two Strikes Theatre Collective, DC Public Library and Anacostia Arts Center. 

Her current plays, short plays, and works in progress include Shawty’s Blues, CHRCH, A BLACK MUSIC STORY, Familial Comforts( A Black Woman’s Play), KITCHN, Diana’s Got No Juice, and others. 

Seshat is a 2025 member of New Perspectives Theatre Women's Work Short Play Lab. She is also a 2025 Workshop Theater Spring Intensive Playwright. She is a two-time AGE Legacy Playwright Grant Finalist, a 2024 June BinghamPlaywright Commission Finalist, and 2024 DC Commission of the Arts Fellowship Recipient. She earned her BA in Journalism from IUP and aMFA in Design Management from SCAD (Savannah College of Art and Design). She isa member of Black Film Space and The Dramatists Guild of America.

2025

Meganne George Women's Work Short Play Festival, New Perspectives Theatre, NYC

Neighborhood Plays Reading Series, AMT THEATER, NYC

Hot House New Play Block Party, Theatre Alliance, DC

2025 SPRING WORKSHOP INTENSIVES, THE WORKSHOP THEATRE, NYC

2025 Cohort, Women’s Work Lab, New Perspectives Theatre, NYC

2024

2024 Finalist The Women’s Work Lab NYC

2024 Finalist for AGE Legacy Playwright Grant

Ten-minute play 2024 BRED HIP HOP THEATRE FEST DETROIT

Selected for the 2024 International Black Theatre Festival’s GARLAND THOMPSON, SR. READERS’ THEATRE OF NEW WORKS WINSTON SALEM

June Bingham Playwright Commission Finalist SALEM

CHRCH Selected for Capital Fringe 2024 DC

2023

2024 DC Commission of The Arts Fellowship Recipient

CHRCH, A BLACK MUSIC STORY Reading, Kennedy Center Local Theatre Festival

Selected for Congo Square Theatre Festival On the Square Reading Series, CHICAGO

An excerpt from Familial Comforts Dramatic Question Theatre Digital Stage Season 2023

Familial Comforts Play Reading, Eaton House DC DC

Transom Specials Selection

CHRCH, A Black Music Story Public Reading, DC

Selected and presented an excerpt of CHRCH for the 2023 Popconference  NYC

2022

Selected for Dramatic Question Theatre’s Playtime Development Workshop

Completed and workshopped CHRCH: A Black Music Story in the Kennedy Center Social Impact’s Local Theatre Residency Program from October 17th-21st, 2022.

Testimony: Fear The Kindness selected for the 2022 Playwrights Experiment’s Monologue Festival #4 and Anthology. NYC

Finalist for the National Black Theatre’s I Am Soul Playwright Residency NYC

AGE Legacy Playwright Grant Finalist.

2021

Finalist in the Playwright Experiment’s Faces of America Monologue Festival, NYC

Selected and participated in the Kennedy Center Playwriting Intensive. DC